The Formation of Genre in Burmese Classical Song

内容紹介

『ビルマ古典歌謡におけるジャンル形成』（2011）の英訳書。ビルマの古典歌謡について、膨大な貝葉を丹念に調査し、作品創作の技法とプロセスを分析することにより、ジャンル形成過程を明らかにする。 とくに,ビルマ音楽の父と呼ばれ、18〜19世紀に新しい調律方法を用いた創作を多く行ったウー・サに注目し,その創作活動がジャンル分化の端緒となったことを明らかにする. 　

目次

Introduction
The Conventional Literature of Burmese Classical Songs
The Sources
Components of this Book
1 Song Anthology Editing and Song Genre Classification
The Definition of Thachingyi and Maha gita
Palm-leaf Manuscripts and Paper Manuscripts on Which Songs are Transcribed
The Framework of Song Anthologies found in Palm-leaf Manuscripts
Song Anthology Publications
Conclusion
2 Tuning-Systems and Song Genres
Tuning-Systems and its Two Types
Tuning-Systems Diversification and U Sa
Tuning-systems and Song Genres
Certain Genres’ Musical Elements and Boundary Genres
Conclusion
3 Song Composition Techniques and Song Genres
Techniques Used to Compose Kyo Songs
Techniques Used to Compose Patpyo Songs
Conclusion
4 Song Genre Concepts in U Sa’s Songs
Genre Classifications Used in TITLES (1870) and U Sa’s Songs
Songs That Include Genre Names in U Sa’s Anthology
Songs Without Genre Names in U Sa’s Anthology
Song Genre Concepts That Appear in U Sa’s Creations
Conclusion
5 The Formation of Genre
The Age of Patpyo Composers
Editing of Patpyo
Classification of Patpyo
Conclusion　

著者略歴

井上　さゆり(著)（イノウエ　サユリ）
大阪大学言語文化研究科

（上記内容は本書刊行時のものです。）